Little Problem Girls Review-Monstrous Choirmaster Almighty Catholic Age Tale is going crazy | Film

TWith its excellent musical score and sound design, the elegant and mysterious output of Slovenian director Urška Djukić reinters the cliché idea of the Catholic girl’s sexual awakening. If evidence is necessary, it is proof that no teacher in the world cannot be as cruel and abusive as a music teacher. We have already seen JK Simmons’ terrible jazz instructor at Damien Chazelle’s Whiplash and the Keyboard Monster at Michael Haneke’s Piano Teacher; Now Slovenian actor and musician Saša Tabaković plays a group of talented, vulnerable young girls, but a sneaky storage. The film has a lesson for any young person who watches by chance: If a music teacher wants you to sit with them in the piano stool that is no one in the room, you can not trust me ”murmurs.

The English title was taken from Sonic Youth’s little problem girl, but otherwise it is definitely a matter of sacred music. (Slovenian Original Kaj Ti Je Blekica, “What’s your problem?” They join a special trip of the choir on the Italian border, rehearsing in a beautiful building with an olive tree, which is a poetic quality while looking at it on sleepless nights

According to the intense irritation of the pirate, the building works continue, darkening and complexing the noise and mood that disrupts its rehearsals. Girls dreams of semi -covered men who do the work they are watching when they go to swim, and after the lights go out, there are many bottles and reality or more games. The choir series of the film is great, and the rehearsal is dragging the simple job of rehearsing, breaking the music into pieces and bringing together again. Tabaković’s protective, born musician with the natural seriousness of a bright and demanding, but as we will see is a darker. The sound design of the film is striking in the series when we hear the breathing exercises of the girls who have become a frightening choir set part that mimic unconscious sexual excitement.

Lucija and Ana-Marja bravely ask a gentle nun, and try to answer what to do without physical pleasures to Magda (Saša Pavček). Is that what happened in your music? Does the movie show us? Systematic suppression of sexual development, cursing, re -directed to religious music? Or can sexuality only be a non -original, immature version of music?

Then there is fate between the choir and Lucija, there is a sincere encounter; He asks him to trust what he’s bothering him, and Lucija gives him an answer that deeply disturbs him and disappointed him with terrible consequences. He then replaces some kind of Epifani Code and takes us to the next stage in Lucija’s life. This is a completely absorbent and extraordinary film.